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Balinese Culture Clings to Tradition Amidst Modern Tourism Tide

Published February 17, 2024
1 years ago

Nestled amidst Indonesia’s sprawling archipelago lies Bali, an island synonymous with sprawling rice paddies, ornate Hindu temples, and a deeply spiritual culture that envelops the daily lives of its inhabitants. Despite the inexorable waves of tourism that have surged over the island, Balinese culture remains a testament to resilience and continuity. However, with mass tourism's relentless expansion, one can't help but wonder—how long can these old ways survive?


Each morning in the seaside village of Seseh, a tapestry of rituals unfolds as the locals engage in ancestral practices. The devout Putu and Made, like so many on the island, start their day with prayer and offerings. Their children, meanwhile, immerse themselves in age-old arts like the “sanghyang dedari” trance dance and “gamelan” orchestral music—integral threads in the fabric of Balinese Hinduism.


The island's cultural vibrancy peaks in anticipation of Nyepi, the Balinese new year earmarked by silence and self-reflection. This spiritual observance brings the island to a standstill, a stark contrast to the perpetual motion of modern life. Bali's ability to preserve its unique heritage amidst relentless developmental pressures remains a subject of fascination.


Bali's success as an enduring cultural hub stems from a matrix of historical and societal factors. According to I Nyoman Gede Maha Putra, a lecturer at Warmadewa University, policies dating back to the colonial era played a pivotal role in this cultural persistence. Whether through the formulation of construction codes that keep the island's skyline dominated by nature or the meticulous transmission of traditional knowledge, Bali has maintained its essence.


The rapid growth of tourism, however, has shadowed these cultural feats with complex challenges. Artist Slinat critiques through his art the transmutation of Balinese culture from an exotic allure to a parody overshadowed by commercialism. The question then arises: is the island's cultural integrity at risk beneath the commercial veneer that tourism has painted?


Interestingly, a 2016 study published in the Journal of Tourism, Hospitality and Sports highlighted Indonesia as an outlier where local customs are nurtured, not disrupted, by tourist influence. Yet, the Balinese experience is not immune to the global currents of change. According to I Ketut Putra Erawan of Udayana University, Balinese culture is dynamic, constantly reinventing itself amid new age challenges such as individualism and capitalism.


But Erawan warns that the modern expressions of culture often prioritize superficial elements like consumerism and fashion over their core traditional and religious values. In the age of social media, being seen as Balinese has overshadowed the quest to truly understand and experience its complexity.


Photographer Rio Helmi echoes similar concerns about the dilution of Balinese culture in the face of monetary influence. As the island's skyline changes, with buildings now towering over the traditionally sacred coconut trees, one wonders whether Balinese culture is slowly morphing from a way of life to a mere tourist spectacle.


Indeed, as the island gears up for the quintessential ogoh-ogoh parade, the contrast between the authentic introspection of villagers and the commercial fanfare in tourist hotspots like Ubud will be strikingly evident. As Helmi remarks, while the motto ‘tri hita karana’—representing the harmony between man, God, and the environment—continues to be cited, it often rings hollow against the backdrop of commercial exploitation.


In the grand procession of time, Balinese culture stands at a crossroads. While the heart of Bali beats with the rhythm of centuries-old traditions, the resonances of a globalized world are increasingly audible. How the island navigates this duality will determine whether its age-old practices merely survive or continue to flourish in the harmonious balance they have always sought to achieve.



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