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Gauteng Film Commission Advances Towards State Ownership Amid Transition Process

Published January 22, 2024
1 years ago

Residents of Gauteng and stakeholders in the film industry are keenly observing the ongoing transition of the Gauteng Film Commission as it regularizes into a fully-fledged state-owned entity (SOE). This transition, initiated in November 2023, stems from a legal framework that necessitates the commission to align with the province's statutory governance. With a two-decade history, the commission has been vital in funding and fostering the regional film industry, but now faces a restructuring that could redefine its future operations and influence within the cultural and economic landscapes of Gauteng.


This transition is overseen by the Gauteng Sport, Arts, Culture and Recreation Department, with MEC Morakane Mosupyoe at the helm, ensuring a seamless change without hindering ongoing projects or the commission's responsibilities. The transition period involves the temporary migration of all commission staff and operations into the department's cultural affairs chief directorate, signifying a significant shift to ensure compliance and fulfill governance prerequisites stipulated by the Public Finance Management Act (PFMA).


The commission's CEO, Keitumetse Lebaka, asserts the determination to maintain operational milestones, emphasizing the industry's seasonal downtime during the festive period as a strategic window to finalize governance adjustments. The primary focus is on safeguarding the jobs, primarily those created by the youth, ensuring that all projects continue unimpeded.


As the financial year draws to a close, activities and planning intensify to meet the quarter three and four project funding obligations for the 2023/24 fiscal period. Mosupyoe assures industry players that funds designated for these critical periods will be expedited, with a deadline by the end of January 2024, signaling a proactive approach to managing the transition.


The reassurance from MEC Mosupyoe is not just administrative rhetoric but highlights the government's recognition of the film industry as an economic catalyst. Gauteng's film sector has long been a prominent contributor to the province's economic dynamism, lending to cultural diversity and creative expression. With this shift towards SOE status, the commission is poised to have a more significant strategic impact and possibly leverage increased government support and investment.


In ensuring the film industry's stability, Mosupyoe and her department have undertaken to honor the necessary funding arrangements and deliver on promises made to industry participants, who are critically dependent on this support. The industry's patience and support during this time are crucial, with the department expressing gratitude for the collective endurance amidst the transition.


Indeed, this evolution of the Gauteng Film Commission holds promise despite its complexity. The transition aims to consolidate the commission's efforts, bringing it under a scope that aligns with provincial governance while potentially enhancing the efficacy of its support to filmmakers and projects in Gauteng. It is a move scrutinized both for its immediate impact and for how it will shape the landscape of South African film production in the coming years.



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