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Climate Activists Target Mona Lisa in Protest for Sustainable Food Systems

Published January 29, 2024
1 years ago

In an audacious act intended to draw global attention to the plight of farmers and the urgency for a sustainable food system, climate activists staged a protest at the Louvre Museum in Paris by throwing soup at the glass protecting the Mona Lisa. The incident occurred in a climate of agricultural discontent, with farmers across France voicing their concerns through protests demanding government action.


Two women, wearing T-shirts emblazoned with the slogan 'Riposte Alimentaire', breached a security barrier and hurled soup at what is arguably the world's most famous painting, Leonardo da Vinci's Mona Lisa. Fortunately, the iconic piece remained unscathed, protected by a bulletproof glass barrier installed to keep it safe from harm.


The protest, which was caught on camera and shared across social media platforms, showed the activists shouting questions that bore the weight of a broader societal conflict: "What's the most important thing? Art, or the right to a healthy and sustainable food?" To further their point, they claimed, "Our farming system is sick. Our farmers are dying at work."


In the wake of the incident, the staff at the Louvre were quick to react, placing black panels in front of the Mona Lisa and ushering visitors from the premises. The message from the protesters was clear and resonated with the current sentiment among the French farming community – that the government's actions thus far have been insufficient to address the acute challenges within the agricultural sector.


The organization behind the protest, Food Riposte, has made it known that they view the French government as reneging on its climate commitments. They advocate for institutional reform akin to France's healthcare system, aiming to ensure access to healthy food while providing farmers with fair pay for their work. Through a statement to AFP, they declared the soup-throwing incident as the commencement of a planned series of civil resistance actions, with the explicit demand for social security provisions specific to sustainable food.


In tandem with this, French farmers have been illustrating their frustrations through ongoing demonstrations, making use of their tractors to obstruct roadways and disrupt traffic. Their grievances are multifaceted, spanning from inadequate compensation for their goods to bureaucratic intricacies and competition from imports undercutting their prices.


Despite a recent announcement from the government outlining a raft of measures intended to placate the agricultural sector, the farmers have been quick to label these initiatives as inadequate. As such, some are threatening to escalate protests by converging on the capital, Paris, effectively choking the main access routes in a formidable demonstration of their discontent.


What stands out in the protest at the Louvre is not just the bold methodology chosen by the activists but the pervading sense of urgency and despair emanating from the agricultural community. The spectacle of the Mona Lisa being targeted encapsulates a symbolic play on the value of art versus essential life resources, suggesting a society at odds with its priorities.



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